Was alain delon gay
Queer & Now & Then: 1960
Flaunting a beauty so cruel it became the stuff of myth, Alain Delon first terrified viewers with his perfection in 1960’s Purple Noon (Plein soleil). He had appeared in smaller roles for a few years before that, such as Pierre Gaspard-Huit’s satisfactory piece of period eye candy, Christine (1958), hovering around Romy Schneider and the edges of the screen prefer an angel in waiting or, depending on your perception, a demon ready to pounce. At this point in his career, he didn’t look or move like other French male stars with their burly, recessive Jean Gabin cool; he was tactile—lithe and slim, he gracefully slid across the screen with the confidence of a jackal. It’s conjecture to say that he loved being looked at, but in Purple Noon there’s something in that devious smile, and the way those crystal-blue eyes and delicately arched eyebrows are caught in high-angle close-up, that makes it unavoidable to assume so: he seemed preternaturally notified of the gaze of the camera and its ability to grant him superpowers.
René Clément’s movie is luscious and sinister (two words that could describe Delon), and in this adaptation of Patricia Highsmith’s
Alain Delon!
Here%E2%80%99s what I come across fascinating about Delon.
He shoots his film debut, Quand la femme s'en m%C3%AAle in the early spring of 1957 (supposedly as a favor to a friend.)
Only a few months later he is at the Cannes Film Festival.
He is supposedly dating up and coming actress Brigitte Auber and is seen in photos from the Festival with her (generating press).
However, he seemed to have arrived with up and coming actor (and openly gay) Jean Claude Brilay. Brilay does what he can to promote Delon as well. (Again, generating press)
At the Festival, Huge Hollywood Talent Representative, Henry Willson sees Alain (and makes sure his number one client Rock Hudson sees him as well) and offers to take him to Hollywood.
It%E2%80%99s a deal Delon briefly considers and turns down. (A rather gutsy and confident move)
Somehow, during all this, Rock Hudson (who it should be noted, is the biggest male movie star in the world, at the time) later implies having seen Delon%E2%80%99s penis and was not impressed.
This is attractive heady stuff for an unknown actor with a very small part, in only one film, that has not even been released yet.
So what happens next?
Delon signs on for anot
Feud: Helmut Berger vs. Alain Delon
Gala: You have been a very jealous boyfriend. Not to say mean to those you considered rivals. Why, for example, so much hatred against Alain Delon?
H. B .: I didn't want to be a gorgeous cuckold. I didn't really grasp Delon. I got closer to Nathalie, his ex-wife. I will never excuse Delon for manipulating their then five-year-old son Anthony into reaching Luchino. Delon made him write devotion letters to Visconti, signed with his little child's hand.
Luchino never mentioned Delon with me, despite my questioning. I'll never comprehend what happened between them. I was clear with Visconti, telling him, “It's Delon or me, if you go around with that sidewalk guy, I'll leave you".
Q: What execute you think of Alain Delon as an actor?
BERGER: What? Delon isn't an actor at all, he's a hustler, the impoverished asshole. There are people who fuck their careers. I didn't do that.
Q: After all, you also had a sexual connection with Visconti.
BERGER: But that was the only one. I am not a stick boy. Are you crazy? Where is strychnine? I didn't have to fuck to get a role. How long execute you think I would have had to fuck to play Ludwig the Second!
Q: Romy Schneider was a grea
Between answering questions, Alain Delon scours the room entire of reporters. His renowned eyes narrow and discontinue on a young lady in the back, wearing a peasant shirt and resting against the wall.
"Are you a journalist?"
"I’m an actress."
"I could tell."
Alain Delon is a special guest at this year’s TIFF. He doesn’t smile too often, but he doesn’t need to. Although the room temperature is okay, he’s removed his jacket as soon as he enters the room. He’s left wearing a ivory shirt, with the first two buttons undone. He flirts with the cameras, because that is the character the audience years for. When someone asks why he hasn’t done any comedies, he blames the people. They’re the ones who flock to the cinema, to notice him being seductive, uneven, and indifferent. “The audience wanted to see me in a certain type of movie. The people wanted me to cease at the end. If I didn’t give them that, I wouldn’t own been here, now.”
Lately, Delon has been openly supporting the National Front head by Marine Le Quill. He says that France is a „Caucasian country” and that homosexuality is “unnatural”. Alain Delon is upset at his country, because it is asking of him to be a certain way
.